“PINKIE” BY THOMAS GAINSBOROUGH REDONE 1983
$450.00 $240.00
Title: Pankie
Artist: Signed but Unidentified
Material: Acrylics on Canvas
Frame Size: 100cm x 70cm
Year: 1983
Conditions: Excellent
This famous painting “Pankie” is hand Painted by an unidentified artist. It’s done after the original by Thomas Gainsborough. Artist signed but unidentified. Painted in 1983
Frame size 100cm x70cm. In excellent conditions.
Out of stock
Related Products
VALERIE BEERE – PORTRAIT
Title: Untitled
Artist: Valerie Beere
Material: Oil on board
Oil Size: 50.6cm x 61cm
Year: 1969
Conditions: Good
Lovely unframed painting from Valerie Beere. Believe the protrait was painted during Valerie’s classes in the 60s then it remained in her house many decades!
OLD PAINTING – FATHER & CHILD
Title: Untiltled
Artist: Unknown
Material: Oil
Oil Size: 48.6cm x 38.4cm
Frame Size: 57.3cm x 47.5cm
Year: Unknown
Conditions: Good
From the 1960’s.
JERUSALEM WANGANUI RIVER
Title: JERUSALEM WANGANUI RIVER
Artist: William Bouwmeester
Material: Oil on Canvas
Picture Size: 83cm x 63cm
Year: 1994
Conditions: Good
A large oil on board painting signed Willem B. William Bouwmeester is a well known New Zealand artist who came from Holland and emigrated to New Zealand in the 1950s or thereabouts. Quite a well known artist. This painting is quite a large piece of work centered around Jerusalem, and is entitled Jerusalem Wanganui River. It is dated on the back as 1994. That is the Title the artist used, so that is the title of the painting. It is not my declaration or spelling or opinion etc etc, just simply the title as given by the artist some 16 years ago. If this worries or offends you, you may want to get hold of him and remind him incase some other future works centre around the same area is in the pipe line.
This art relates to James K Baxter & the Jerusalem history etc near Wanganui. It is quite striking. Is bold and has good colour. Has a nice real rimu frame. Could do with a bit clean and a dust, but apart from that it is fine. Great if you collect Willem Bs work or just want a striking different painting.
INGRID BOOT – WHITE SATIN
Title: White Satin
Artist: Ingrid Boot
Material: Acrylic
Art Size: 102cm x 76cm
Year: 2007
Conditions: Excellent
Signed original acrylic Nude Canvas by well listed New Zealand artist Ingrid Boot.
Ready to hang up.
LAWRENCE VINCENT GARRISON – NUDE PASTEL
Title: Untitled
Artist: Lawrence Vincent Garrison
Material: Pastel
Art Size: 44.6cm x 59.5cm
Frame Size:51cm x 66.5cm
Year: Unknown
Conditions: Excellent
Signed Original Pastel Nude by well listed California artist Lawrence Vincent Garrison (1923-2007).
Framed total size 51 cm x 66.5 cm. In excellent condition, reframed by John Leech workshop, Remuera.
Some reflictions on the glass. The real image looks even better.
Initially purchased in mid 70’s on-board Queen Mary gallery.
OLD CHINESE PAINTING
Title: Unknown
Artist: Unknown
Material: Watercolour
Size:335cm x 34cm
Year: Unknown
Conditions: Good
Don’t konw much about this watercolour. More likely it’s a print. Gorgeous art.
VALERIE BEERE – STRUMMING
Title: Strumming
Artist: Valerie Beere
Material: Oil on canvas
Oil Size: 60cm x 81cm
Frame Size:69cm x 90cm
Year: 1960s
Conditions: General
Large painting from Valerie Beere. Believe the portrait is painted during Valerie’s classes in the 60s then it remained in her house many decades!
NANCY DE FREITAS – BLOOD FLOORS/CLAY WALLS (HUGE)
Title: Blood Floor/Clay Walls
Artist: Nancy de Freitas
Material: Acrylic on Canvas
Oil Size: 130cm x 110cm
Frame Size: 134cm x 114cm
Year: 1992
Conditions: Excellent
Nancy de Freitas Large Acrylic On Canvas. “Blood Floors/Clay Walls” part of her family album series. Signed & dated 92 bottom right. The image is in “Very Good” condition. The Rimu frame is also “Very Good”.
For the author’s explain, the three rooms refer to: 1) the place of the family/mother relationship 2) the honing of independence in wider relationships (ie to the family/siblings first) and 3) the growth of ego and personal strength. The bald heads refer to our human vulnerability and innocence.
All of the paintings in this series had a reflective/dark side and consider them to be the best of Nancy’s whole career. This one, ‘Blood Floor, Clay Walls’, is the cornerstone painting of the series. Hope to get a public gallery collection or a significant private collection so that it could be seen by many.